Poem-A-Day April 30: Everything Has Two Endings

Hello Friends,

Well here we are: it’s the last day of April. We’ve packed a lot into 30 days — including couplets, tercets, quatrains, sonnets, haiku, and an abecedarian; poems from the 1700s, 1800s, 1900s, and 2000s; poems by Black, Latinx, Native American, Asian American, Arab American, and white poets; poems by transgender, queer, lesbian, gay, bisexual, and straight poets; and more. Thank you so much for joining me in poetry this month!

If you had a favorite poem this month, I’d love to hear about it. Your replies let me know someone is reading these poems I send out.

I have one last poem for you, which appears in poet Jane Hirschfield’s 2013 collection Come, Thief.

Enjoy.
Ællen


Everything Has Two Endings

Everything has two endings—
a horse, a piece of string, a phone call.

Before a life, air.
And after.

As silence is not silence, but a limit of hearing.

Poem-A-Day April 29: Grocery List Poems

Hello Friends,
Today’s poem by Rhiannon McGavin appears in her 2021 collection Grocery List Poems. McGavin uses slant rhymes in this sonnet, like “loves” and “carves” or “driver’s” and “stranger’s.”
Enjoy.
Ællen


Manifesto in an unknown language

No, I couldn’t sleep, I’m building my loves
from the smell of rain and the bus driver’s
soft wave when I’m broke, from a sea that carves
cracked bottles into gems, and a stranger’s
laugh runs a vein of silver through the night,
a love cut from the dark when a kissing
scene fades on a film screen. Say the last time
someone touches me with a tender feeling
and I’ll eat the clock. Name the next time, win
all the lucky pennies I’ve thrown away
waiting for that love like a nasturtium,
the petals with their birthday candle flame,
hot and sweet. The kind of love in my steps
where empty rooms are only rooms you’ve left.

Poem-A-Day April 28: Thank You

Thank You

If you find yourself half naked
and barefoot in the frosty grass, hearing,
again, the earth’s great, sonorous moan that says
you are the air of the now and gone, that says
all you love will turn to dust,
and will meet you there, do not
raise your fist. Do not raise
your small voice against it. And do not
take cover. Instead, curl your toes
into the grass, watch the cloud
ascending from your lips. Walk
through the garden’s dormant splendor.
Say only, thank you.
Thank you.




Today’s poem by Ross Gay appears in his 2006 collection Against Which.

Poem-A-Day April 27: will wait will wait

Hello Friends,
Today’s poem is one I really needed in my life 20 years ago this April but didn’t have yet.
— Ællen

To the Young Who Want to Die

Sit down. Inhale. Exhale.
The gun will wait. The lake will wait.
The tall gall in the small seductive vial
will wait will wait:
will wait a week: will wait through April.
You do not have to die this certain day.
Death will abide, will pamper your postponement.
I assure you death will wait. Death has
a lot of time. Death can
attend to you tomorrow. Or next week. Death is
just down the street; is most obliging neighbor;
can meet you any moment.

You need not die today.
Stay here—through pout or pain or peskiness.
Stay here. See what the news is going to be tomorrow.

Graves grow no green that you can use.
Remember, green’s your color. You are Spring.




You can learn more about suicide prevention through the American Foundation for Suicide Prevention.

Gwendolyn Brooks has also been previously featured for Poem-A-Day April 15, 2017: The Founding Mother and Poem-A-Day April 29, 2010: cool.

Poem-A-Day April 26: nectar at the roadside

From Blossoms

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.




“From Blossoms” appears in poet Li-Young Lee’s 1986 collection Rose.

Li-Young Lee has also been featured for previously for Poem-A-Day April 9, 2018: I didn’t know I was blue, Poem-A-Day April 17, 2012: fire, doves, river-water, Poem-A-Day April 14, 2011: the sound of apples falling, and Poem-A-Day April 28, 2008: kempt.

Poem-A-Day April 25: What You Missed that Day You Were Absent from Fourth Grade

What You Missed that Day You Were Absent from Fourth Grade

Mrs. Nelson explained how to stand still and listen
to the wind, how to find meaning in pumping gas,

how peeling potatoes can be a form of prayer. She took
questions on how not to feel lost in the dark.

After lunch she distributed worksheets
that covered ways to remember your grandfather’s

voice. Then the class discussed falling asleep
without feeling you had forgotten to do something else—

something important—and how to believe
the house you wake in is your home. This prompted

Mrs. Nelson to draw a chalkboard diagram detailing
how to chant the Psalms during cigarette breaks,

and how not to squirm for sound when your own thoughts
are all you hear; also, that you have enough.

The English lesson was that I am
is a complete sentence.

And just before the afternoon bell, she made the math equation look easy.
The one that proves that hundreds of questions,

and feeling cold, and all those nights spent looking
for whatever it was you lost, and one person

add up to something.




“What You Missed that Day You Were Absent from Fourth Grade” appears in poet Brad Aaron Modlin’s 2016 collection Everyone at This Party Has Two Names.

Poem-A-Day April 24: stalled in the driveway

Golden Oldie

I made it home early, only to get
stalled in the driveway, swaying
at the wheel like a blind pianist caught in a tune
meant for more than two hands playing.

The words were easy, crooned
by a young girl dying to feel alive, to discover
a pain majestic enough
to live by. I turned the air-conditioning off,

leaned back to float on a film of sweat,
and listened to her sentiment:
Baby, where did our love go?—a lament
I greedily took in

without a clue who my lover
might be, or where to start looking.




Today’s sonnet by Rita Dove appears in her 1996 collection Mother Love: Poems.

As a bonus for today, my dear friend Michelle introduced me to a Tele-Poem Hotline established by the Oregon Poet Laureate Anis Mojgani: Just dial (503) 928-7008 to hear a poem! When I called in, the poem was even read by the poet herself. More in the Portland Monthly.

Poem-A-Day April 23: Two kinds of insects

Haiku

Two kinds of insects
The ones who sing at night
And the ones who don’t




Today’s haiku is by the Japanese poet Kobayashi Issa (1763–1828). Several poets circulated this translation on Twitter, but I don’t know who the original translator is. If you’d like to learn more about what makes a haiku a haiku, please visit the Why “No 5-7-5”? page of the National Haiku Writing Month website.

—Ællen

Poem-A-Day April 22: Beauty is its own excuse for Being

Hello Friends,

For Earth Day, we are going to visit Ralph Waldo Emerson in 1834 — with thanks to my high school English teacher, Mrs. Hackett, for introducing me to this poem. “Beauty is its own excuse for Being” has stuck with me all these years later.

Is there a line from a poem that’s stuck with you since high school or earlier? Or do you have a favorite Earth Day poem?

Enjoy.
Ællen


The Rhodora

In May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals fallen in the pool
Made the black water with their beauty gay;
Here might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that, if eyes were made for seeing,
Then beauty is its own excuse for Being;
Why thou wert there, O rival of the rose!
I never thought to ask; I never knew;
But in my simple ignorance suppose
The self-same power that brought me there, brought you.

Poem-A-Day April 21: Yellow on yellow

Hello Friends,
Today’s poem comes with thanks to Amber and Jeremy, who gave me my copy of The Hurting Kind, Ada Limón’s 2022 collection in which this poem appears.
Enjoy.
Ællen


Invasive

What’s the thin break
inescapable, a sudden thud
on the porch, a phone
vibrating with panic on the night
stand? Bury the broken thinking
in the backyard with the herbs. One
last time, I attempt to snuff out
the fig buttercup, the lesser celandine,
invasive and spreading down
the drainage ditch I call a creek
for a minor pleasure. I can
do nothing. I take the soil in
my clean fingers and to say
I weep is untrue, weep is too
musical a word. I heave
into the soil. You cannot die.
I just came to this life
again, alive in my silent way.
Last night I dreamt I could
only save one person by saying
their name and the exact
time and date. I choose you.
I am trying to kill the fig buttercup
the way I’m supposed to according
to the government website,
but right now there’s a bee on it.
Yellow on yellow, two things
radiating life. I need them both
to go on living.