the sweet small clumsy feet of April [13, Poem-a-Day]

if i have made,my lady,intricate
imperfect various things chiefly which wrong
your eyes(frailer than most deep dreams are frail)
songs less firm than your body’s whitest song
upon my mind—if i have failed to snare
the glance too shy—if through my singing slips
the very skilful strangeness of your smile
the keen primeval silence of your hair

—let the world say, “his most wise music stole
nothing from death”—
you only will create
(who are so perfectly alive)my shame:
lady through whose profound and fragile lips
the sweet small clumsy feet of April came

into the ragged meadow of my soul

E.E. Cummings, Is 5 (1926)


Today’s poem is for Cathy. Happy anniversary, my love.
— Ellen

“if i have made,my lady,intricate” by E.E. Cummings was also featured for Poem-a-Day April 12, 2007 and Poem-a-Day April 13, 2011.
Poems by E.E. Cummings were also featured for Poem-a-Day April 13, 2008 and Poem-a-Day April 20, 2010.

Poem-a-Day, April 12: Berkeley Street Cannibals

BALLAD

Tell me the evening,
tell me the day,
and tell the night
to stay away.

Tell me a story,
tell me a game,
tell me everything
except my name.

Tell me a picture,
tell me a song,
tell me what
went wrong.


Hello Friends,

Today’s balladeer is Julia Vinograd, from Berkeley Street Cannibals: Selected Poems, 1969-1976.

The ballad form pre-dates the written word and is firmly rooted in the oral traditions of storytelling and song. Along with being one of the most ancient, the ballad is also one of the most universal poetic forms: it can be found across almost every language, every country, every culture, and every century — right on through twentieth century Berkeley, California.

April is National Poetry Month, and I am celebrating by emailing out my own selection of one poem per day for the duration of the month. If you wish to be unsubscribed from this Poem-a-Day email list at any time, please reply to this email with a friendly unsubscribe request (preferably in heroic couplet form). You may also request to add a consenting friend to the list, or even nominate a poem.

To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

“Ballad” by Julia Vinograd was also featured for Poem-a-Day April 25, 2011.
Poet Julia Vinograd were also featured for Poem-a-Day April 20, 2007.

Poem-a-Day, April 11: a single strand

Rune of the Finland Woman

For Sára Karig
“You are so wise,” the reindeer said, “you can
bind the winds of the world in a single strand.”

— H.C. Andersen, “The Snow Queen”


She could bind the world’s winds in a single strand.
She could find the world’s words in a singing wind.
She could lend a weird will to a mottled hand.
She could wind a willed word from a muddled mind.

She could wend the wild woods on a saddled hind.
She could sound a wellspring with a rowan wand.
She could bind the wolf’s wounds in a swaddling band.
She could bind a banned book in a silken skin.

She could spend a world war on invaded land.
She could pound the dry roots to a kind of bread.
She could feed a road gang on invented food.
She could find the spare parts of the severed dead.

She could find the stone limbs in a waste of sand.
She could stand the pit cold with a withered lung.
She could handle bad puns in the slang she learned.
She could dandle foundlings in their mother tongue.

She could plait a child’s hair with a fishbone comb.
She could tend a coal fire in the Arctic wind.
She could mend an engine with a sewing pin.
She could warm the dark feet of a dying man.

She could drink the stone soup from a doubtful well.
She could breathe the green stink of a trench latrine.
She could drink a queen’s share of important wine.
She could think a few things she would never tell.

She could learn the hand code of the deaf and blind.
She could earn the iron keys of the frozen queen.
She could wander uphill with a drunken friend.
She could bind the world’s winds in a single strand.


Hello Friends,

Marilyn Hacker‘s single strand “She could…” can be found binding “Rune of the Finland Woman” in her 1985 collection Assumptions, and included in her Selected Poems: 1965-1990.

To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

Poem-a-Day, April 10: half-red sea

waiting on the mayflower, iii. march 1770 (excerpt)

that night, crispus attucks
dreamed. how he’d attacked

his would-be master and fled
in wild-eyed search of self-

determination. discarded
virginia on the run and ran

out of breath in salt-scented
boston. found there, if not

freedom, fearlessness. a belief
in himself that racked things

with the uncontrolled power
of the muscular atlantic, power

to cradle, to capsize. awoke
angry again at the planter

who’d taken him for a mule
or a machine. had shouldered

a chip the size of concord
by the time the redcoat dared

to dare him. died wishing he’d
amassed such revolutionary

ire in virginia. died dreaming
great britain was the enemy.


Hello Friends,

Today’s re-imagining of American Revolutionary War hero Crispus Attucks comes to us courtesy of Evie Shockley in her 2006 collection half-red sea.

To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

Poem-a-Day, April 8: The kraken ate my homework

Hey Friends,

Remember that day when there was no poem-a-day? That was a bummer. In my defense, I was consumed by an entity that can only be described by Lord Alfred Tennyson:


The Kraken

Below the thunders of the upper deep,
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides; above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumbered and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages, and will lie
Battening upon huge sea worms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.


Tennyson did not invent the kraken — the creature had already been around in folklore for some time — but his poem is regarded as the quintessential description. Only 21 years old at the time “The Kraken” was published, Tennyson enjoyed the rare privilege of living to be an immensely popular and revered poet in his own lifetime.

Bonus points to anyone who finds or writes and sends me another poem that uses the word “polypi.”

To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Best,
Ellen

Poem-a-Day, April 9: Something I’ve not done

Something I’ve not done
is following me
I haven’t done it again and again
so it has many footsteps
like a drumstick that’s grown old and never been used

In late afternoon I hear it come close
at times it climbs out of a sea
onto my shoulders
and I shrug it off
losing one more chance

Every morning
it’s drunk up part of my breath for the day
and knows which way
I’m going
and already it’s not done there

But once more I say I’ll lay hands on it
tomorrow
and add its footsteps to my heart
and its story to my regrets
and its silence to my compass

— W.S. Merwin

Poem-a-Day, April 7: 100% cotton

The Shirt

The shirt touches his neck
and smoothes over his back.
It slides down his sides.
It even goes down below his belt—
down into his pants.
Lucky shirt.


Hello Friends,

Lucky you — Today’s poem is by Jane Kenyon from her 1978 collection From Room to Room. Other shirt poems I’m fond of include “Shirt” by Robert Pinsky and this shirt from Threadless.

April is National Poetry Month, and I am celebrating by emailing out my own selection of one poem per day for the duration of the month. To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

“The Shirt” by Jane Kenyon was also featured for Poem-a-Day April 22, 2007.

Poem-a-Day, April 6: reverie & remember

Rose Colored City

When Jennifer & I
       near the Ross Island
              Bridge pass the two

young men in matching
       black combat boots
              & white tee-shirts

beneath suspenders
       that blaze an X on
              their backs,

I see them first as partners,
       taking a late evening walk,
              like us, locked arm

to arm, charmed by park
       lamps & floral pathways
              then well-up with pride,

glorying in the picture
       our generation makes,
              & I think what passes

between us, lust holier
       than war & lovelooks tinged
              with righteousness

could fertilize a new & supreme
       race, but then, White Power,
              Sister, & I snap out of

my reverie & remember
       the sound of History & blood,
              & look over my shoulder

& sneer my long, teasing
       black smile & say,
              Yeah right, White Power

to which they spill out
       of each other’s arms &
              stomp, cursing, heads

bald as trophies in gold
       streetlight, & we set off
              to crossing the avenue,

a soft jog that breaks
       to a sprint, far away to
              our separate lives.


Hi Friends,

Major Jackson‘s “Rose Colored City” is featured in American Poet Magazine, volume 35 (fall 2008).

Was this poem easier to understand once you knew the narrator’s race, gender and sexual orientation? How far into the poem did it take you to ascertain those perspective traits?

How important are an author’s headshot and bio on the back of a poetry collection or a novel for you as a reader? Is it possible to read a poem without making assumptions about both the writer’s and the narrator’s gender? Is it possible to pass a silhouette in a park late at night without making assumptions about a peron’s gender or race?

April is National Poetry Month, and I am celebrating by emailing out my own selection of one poem per day for the duration of the month. If you wish to be unsubscribed from this Poem-a-Day email list at any time, please reply to this email with a friendly unsubscribe request (preferably in heroic couplet form). You may also request to add a consenting friend to the list, or even nominate a poem.

To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

Poem-a-Day, April 5: reading in the dark

Hymn for Lota

Close, close all night
the lovers keep.
They turn together,
in their sleep,

close as two pages
in a book
that read each other
in the dark.

Each knows all
the other knows,
learned by heart
from head to toes.


Hello Friends,

Today’s untitled poem comes from the unpublished works of Elizabeth Bishop (1911-1979) — published in the 2006 collection Edgar Allan Poe & The Juke-Box: Uncollected Poems, Drafts, and Fragments by Elizabeth Bishop, edited by Alice Quinn. This poem is also featured in Marta Góes’s one-woman play A Safe Harbor for Elizabeth Bishop.

April is National Poetry Month, and I am celebrating by emailing out my own eclectic selection of one poem per day for the duration of the month. To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen

“Hymn to Lota” by Elizabeth Bishop was also featured for Poem-a-Day April 3, 2007.
Poems by Elizabeth Bishop were also featured for Poem-a-Day April 6, 2008 and Poem-a-Day April 13, 2010.

Poem-a-Day, April 4: Significadence ain’t random

Las Brujitas

Bubble, bubble toil and double
Double dutch too much
Turning into trouble trouble

Tapping time ’til we just can’t
Take it. Chanting rhymes
when the moments make it.

Blessed/cursed being double
handed. Leaning to the left
strands deftly commanded

Understudies be understanding
as brujitas switch, be turnin’
Dispel, casting, breaking curses

Through portal dimensions
simple phrases making
mischief not to be phased as

bracelets clink in synch
wink: a be mine phrase
invoking through games:

“Tell me the name of your sweetheart”
“K-I-S-S-I-N-G”—”Miss Lucy had a baby
a baby, a baby, Miss Lucy had a baby—

and this is what she said! She said—”
“…went downtown to get a stick a butta…
saw James Brown sittin’ in the gutta…”

Even when Ali needed mo’ machismo,
He put the dopes on a rope, then a butterfly float
flippant wrists let loose the noose’s grip

like we girls did, reworking the kinetics
left turn, right turn, overhand aesthetics
feet thinking double time, meter reason

school’s in season, flipping, flouncing
guild lilies dust cloud breezes.
Ten little drummers summon up

those stories. Speak in tongues
old souls got the blues—and browns
round white fronts, tassles flat down.

Keeping up the chatter from the patter in the ‘pation
vibes ‘verberate teeny-bop intimidation.
Tensile strength makin’ a stand

Not still, we grand!
Significadence ain’t random,
we clasp our hands in tandem.


Hi Friends,

A self-taught poet out of the Nuyorican Poets Café scene, Tracie Morris competed in national slams and toured nationally in the early 1990s. She is now a graduate-level poetry professor and one of the foremost scholars researching and writing on spoken word and performance poetry.

Tracie Morris and the double dutch rhythms of her piece “Las Brujitas” are featured in the anthology Word Warriors: 35 Women Leaders in the Spoken Word Revolution (2007), edited by Alix Olson with a foreword by Eve Ensler.

April is National Poetry Month, and I am celebrating by emailing out my own eclectic selection of one poem per day for the duration of the month. To learn more about National Poetry Month, or to subscribe to a more official-like Poem-a-Day list, visit www.poets.org.

Enjoy.
Ellen