Poem-A-Day April 10: I was glamour. I was grammar.

Hello Friends,

Today’s poem is titled “Galileo,” after the inventor of the first pendulum clock. While not graphic, this poem is about surviving sexual assault.

Paul Tran is slam poet and a Wallace Stegner Fellow in Poetry at Stanford University. They recently released their first book of poems, All the Flowers Kneeling (2022).

— Ællen




Galileo

I thought I could stop
time by taking apart
the clock. Minute hand. Hour hand.

Nothing can keep. Nothing
is kept. Only kept track of. I felt

passing seconds
accumulate like dead calves
in a thunderstorm

of the mind no longer a mind
but a page torn
from the dictionary with the definition of self

effaced. I couldn’t face it: the world moving

on as if nothing happened.
Everyone I knew got up. Got dressed.
Went to work. Went home.

There were parties. Ecstasy.
Hennessy. Dancing
around each other. Bluntness. Blunts

rolled to keep
thought after thought
from roiling

like wind across water—
coercing shapelessness into shape.

I put on my best face.
I was glamour. I was grammar.

Yet my best couldn’t best my beast.

I, too, had been taken apart.
I didn’t want to be
fixed. I wanted everything dismantled and useless

like me. Case. Wheel. Hands. Dial. Face.

Poem-A-Day April 9: Robyn Hood

Hello Friends,
This poem came to my attention when a woman on Instagram posted it graffitied on a bathroom stall. There are few compliments higher than having your poem graffitied, so I figured it was one worth sharing with you.
Enjoy.
Ællen




Robyn Hood

Imagine if we took back our diets,
our grand delusions, the time spent
thinking about the curve of our form.
Imagine if we took back every time we
called attention to one or the other: her
body, our body, the bad shape of things.

Imagine the minutes that would stretch
into hours. Day after day stolen back like
a thief.

Imagine the power of loose arms and
assurance. The years welcomed home
in a soft, cotton dress.


“Robyn Hood” appears in poet Kate Baer’s 2020 collection What Kind of Woman.

Poem-A-Day April 8: born pilots

Notes on a Mass Stranding

I.
Huge dashes in the sand, two or three
times a year they swim like words
in a sentence toward the period
of the beach, lured into sunning
themselves like humans do —
forgetting gravity,
smothered in the absence
of waves and high tides.

II.
[Pilot whales beach themselves] when their sonar
becomes scrambled in shallow water
or when a sick member of the pod
heads for shore and others follow


III.
61 of them on top of the South Island
wade into Farewell Spit.
18 needed help with their demises
this time, the sharp mercy
of knives still the slow motion heft
of each ocean heart.

IV.
Yes — even those born pilots,
those who have grown large and graceful
lose their way, found on their sides
season after season.
Is it more natural to care
or not to care?
Terrifying to be reminded a fluke
can fling anything or anyone
out of this world.

V.
Oh, the endings we swim toward
without thinking!
Mysteries of mass wrong turns, sick leaders
and sirens forever sexy
land or sea.
The unequaled rush
and horror of forgetting
ourselves


Kamilah Aisha Moon’s “Notes on a Mass Stranding” appears in Split This Rock’s The Quarry: A Social Justice Poetry Database.

Poem-A-Day April 5: Colonizers write about flowers.

Hello Friends,

Today’s poem comes with a content warning: This poem is about violence against Palestinians. It was first published in the December 2020 issue of Poetry magazine. Noor Hindi is a Palestinian-American poet and reporter who lives in Detroit.

— Ællen

Fuck Your Lecture on Craft, My People Are Dying

Colonizers write about flowers.
I tell you about children throwing rocks at Israeli tanks
seconds before becoming daisies.
I want to be like those poets who care about the moon.
Palestinians don’t see the moon from jail cells and prisons.
It’s so beautiful, the moon.
They’re so beautiful, the flowers.
I pick flowers for my dead father when I’m sad.
He watches Al Jazeera all day.
I wish Jessica would stop texting me Happy Ramadan.
I know I’m American because when I walk into a room something dies.
Metaphors about death are for poets who think ghosts care about sound.
When I die, I promise to haunt you forever.
One day, I’ll write about the flowers like we own them.

Poem-A-Day April 4: don’t call us dead

Hello Friends,

Today’s poem is the first section of a longer piece in the 2017 collection Don’t Call Us Dead by Danez Smith. Content warning: This poem is about anti-Black violence.

— Ællen

summer, somewhere

somewhere, a sun. below, boys brown
as rye play the dozens & ball, jump

in the air & stay there. boys become new
moons, gum-dark on all sides, beg bruise

-blue water to fly, at least tide, at least
spit back a father or two. i won’t get started.

history is what it is. it knows what it did.
bad dog. bad blood. bad day to be a boy

color of July well spent. but here, not earth
not heaven, we can’t recall our white shirts

turned ruby gowns. here, there’s no language
for officer or law, no color to call white.

if snow fell, it’d fall black. please, don’t call
us dead, call us alive someplace better.

we say our own names when we pray.
we go out for sweets & come back.

/ /

Poem-A-Day April 2: I watch her eat the apple

Hello Friends,
Since we did an orange poem yesterday, today we’re doing an apple poem — from Natalie Diaz’s 2012 collection When My Brother Was an Aztec.
Enjoy.
Ællen


I Watch Her Eat the Apple

She twirls it in her left hand,
a small red merry-go-round.

According to the white oval sticker,
she holds apple #4016.
I’ve read in some book or other
of four thousand fifteen fruits she held
before this one, each equally dizzied
by the heat in the tips of her fingers.

She twists the stem, pulls it
like the pin of a grenade, and I just know
somewhere someone is sitting alone on a porch,
bruised, opened up to their wet white ribs,
riddled by her teeth —
lucky.

With her right hand, she lifts the sticker
from the skin. Now,
the apple is more naked than any apple has been
since two bodies first touched the leaves
of ache in the garden.

Maybe her apple is McIntosh, maybe Red Delicious.
I only know it is the color of something I dreamed,
some thing I gave to her after being away
for ten thousand nights.

The apple pulses like a red bird in her hand —
she is setting the red bird free,
but the red bird will not go,
so she pulls it to her face as if to tell it a secret.

She bites, cleaving away a red wing.
The red bird sings. Yes,
she bites the apple and there is music —
a branch breaking, a ship undone by the shore,
a knife making love to a wound, the sweet scrape
of a match lighting the lamp of her mouth.

This blue world has never needed a woman
to eat an apple so badly, to destroy an apple,
to make the apple bone —
and she does it.

I watch her eat the apple,
carve it to the core, and set it, wobbling,
on the table —
a broken bell I beg to wrap my red skin around
until there is no apple,
there is only this woman
who is a city of apples,
there is only me licking the juice
from the streets of her palm.

If there is a god of fruit or things devoured,
and this is all it takes to be beautiful,
then God, please,
let her
eat another apple
tomorrow.

Poem-A-Day April 1: Happy National Poetry Month!

Hello Friends, and Happy National Poetry Month 2022!

In celebration, I will be sending you one poem per day just for the month of April: 30 days, 30 poems, 30 poets. Today’s selection is by Wendy Cope.


The Orange

At lunchtime I bought a huge orange
The size of it made us all laugh.
I peeled it and shared it with Robert and Dave—
They got quarters and I had a half.

And that orange it made me so happy,
As ordinary things often do
Just lately. The shopping. A walk in the park
This is peace and contentment. It’s new.

The rest of the day was quite easy.
I did all my jobs on my list
And enjoyed them and had some time over.
I love you. I’m glad I exist.



For those of you new to the list: No prior poetry experience is required to enjoy this poem-a-day list! I’m not going to send you some obtuse obscure long ode that’s impossible to understand (hopefully). My selections do skew heavily, but not exclusively, to American poets writing in English — hence the name “Meet Me in 811,” the Dewey Decimal Code for American Poetry (and my favorite part of the library to wander around picking random books off the shelves).

This poem-a-day series is strictly for personal use only; in almost all cases, I do not have poets’ nor poetry publishers’ permission to reproduce their work. For a more official poem-a-day email list, please visit the Academy of American Poets (poets.org), the creators and sponsors of National Poetry Month.

Thanks,
Ællen

Some of you may know me as Ellen. I go by Ællen (they/them) now.