Poem-a-Day, April 25: not admitting of the wound

A great Hope fell
You heard no noise
The Ruin was within
Oh cunning wreck that told no tale
And let no Witness in

The mind was built for mighty Freight
For dread occasion planned
How often foundering at Sea
Ostensibly, on Land

A not admitting of the wound
Until it grew so wide
That all my Life had entered it
And there were troughs beside

A closing of the simple lid
That opened to the sun
Until the tender Carpenter
Perpetual nail it down —


“#1123,” circa 1868, The Complete Poems of Emily Dickinson

Open Me Carefully and a new play Tell It Slant suggest one of the deeper wounds Emily Dickinson endured may have been Susan Gilbert, a woman she loved, marrying her brother Austin Dickinson. Austin and Susan eventually moved in to the house next door, and Emily and Susan remained close; their surviving correspondence spans over 35 years.


Poems by Emily Dickinson were also featured for Poem-a-Day April 29, 2008 and Poem-a-Day April 25, 2009.

Poem-a-Day, April 24: in the mood for ghosts

Record

Late night July, Minnesota,
John asleep on the glassed-in porch,
Bob Dylan quiet on a cassette

you made from an album
I got rid of soon after
you died. Years later,

I regret giving up
your two boxes of vinyl,
which I loved. Surely

they were too awkward,
too easily broken
for people who loved music

the way we did. But tonight
I’m in the mood for ghosts,
for sounds we hated: pop,

scratch, hiss, the occasional
skip. The curtains balloon;
I’ve got a beer; I’m struck

by guilt, watching you
from a place ten years away,
kneeling and cleaning each

with a velvet brush before
and after, tucking them in
their sleeves. Understand,

I was still moving then.
The boxes were heavy.
If I had known

I would stop here
with a husband to help me
carry, and room — too late,

the college kids pick over
your black bones on Mass. Ave.,
we’ll meet again some day

on the avenue but still,
I want to hear it,
the needle hitting the end

of a side and playing silence
until the arm gives up,
pulls away.


— Katrina Vandenberg, Atlas (2005)

Poem-a-Day, April 23: Bottom feeders? Please.

Hi Friends,

Today’s selection comes to you from the only poet I know to be honored with a combination live boxing match and poetry reading — held on January 15, 2010, at the Hartford Club of Hartford, Connecticut, and concluding with a bout between Sammy Vega, a seven-time national amateur champion, and Mike “Machine Gun” Oliver, a reigning New England and Eastern Boxing Association junior featherweight champion. The occasion was a return visit from Connecticut native Gabrielle Calvocoressi, touring with her new boxing-infused poetry collection Apocalyptic Swing — which is a finalist for the Los Angeles Book Awards to be announced tonight. Good luck, Gaby!

You can also hear Garrison Keillor read Gaby’s poem “Jubilee” on The Writer’s Almanac.

Cheers,
Ellen


Jubilee

Come down to the water. Bring your snare drum,
your hubcaps, the trash can lid. Bring every
joyful noise you’ve held at bay so long.
The fish have risen to the surface this early
morning: flounder, shrimp, and every blue crab
this side of Mobile. Bottom feeders? Please.
They shine like your Grandpa Les’ Cadillac,
the one you rode in, slow so all the girls
could see. They called to you like katydids.
And the springs in that car sounded like tubas
as you moved up and down. Make a soulful sound
unto the leather and the wheel, praise the man
who had the good sense to build a front seat
like a bed, who knew you’d never buy a car
that big if you only meant to drive it.


Poet Gabrielle Calvocoressi was also featured for Poem-a-Day April 27, 2007.

Poem-a-Day, April 22: into the presence of still water

Hello Friends,
A sentimental Earth Day poem for you from Wendell Berry


The Peace of Wild Things

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.


Poems in honor of Earth Day were also featured for Poem-a-Day April 21, 2007; Poem-a-Day April 22, 2008; Poem-a-Day April 22, 2009; and Poem-a-Day April 22, 2011.

Poem-a-Day, April 21, 2010

Night Drive

Roadlight licks the night ahead, licks
the white line on night’s new hide, licks
the undulating blacktop flat, sticks its end-
less forking tongue out onward, flicks
itself at culvert, tree, passing truck, a sign
insisting heartbeats equal conscious life
(it may be) of someone’s (maybe my)
forever unborn child. I let the knife
of wind inside and sing A Whiter Shade of Pale,
no earthly reason why, and think of what
won’t be and who, and whether it be
speed, wind, song, or my mind’s roar
that drowns for once time’s slangy whine,
here comes hope to climb clear of before;
stillborn hope with desperate, Moro-reflex,
undead grip climbs right back up my neck,
raising each pointless, residual nape hair
in ancestral salute to an absence, to the air
that won’t question itself, won’t ever check
the moral rearview. I accelerate gamely,
wondering what makes me want to leave
each person, place and thing I learn to love.
What shoves me off again, racing insanely,
as if to the place that will always save
a place for me, a room that will contain
the kind of people who’d embrace the things
I’m still afraid I’m still afraid to face.


— J. Allyn Rosser, Poetry magazine (February 2010)

Poem-a-day, April 20: m&m&m&m

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea


Hi Friends,

Did you know that “maggie and milly and molly and may” was initially “milly and molly and maggie and may”?

I memorized this poem so early in life, and have recited it in my head so many times, I think I had forgotten that all its elements were not always as they are. The most recent issue of American Poet arrived in my mailbox with a fascimile of one of Cummings’s drafts of “maggie and milly and molly and may” on the inside back cover — a refreshing reminder that this poem was labored over through countless drafts.

Cummings rewrote the final couplet 24 times — and that’s only the drafts we have on record. The last line remains unchanged, but variations of the second-to-last line in previous drafts include:

“and if laughing’s as crying as losing can be”
“and if losing’s as certain as having can be”
“for the grief of a child is a kite in a tree”
“and as nobody said with a smile to me”
“for as nobody knows but i and he”
“but nobody noticed a rusty key”

Hopefully you’ve caught by now that April is National Poetry Month, and I am celebrating by sending out one poem per day for the duration of the month. You can learn more about National Poetry Month at www.poets.org, the website of the Academy of American Poets.


Poems by E.E. Cummings were also featured for Poem-a-Day April 12, 2007; Poem-a-Day April 13, 2008; Poem-a-Day April 13, 2009; and Poem-a-Day April 13, 2011.

Poem-a-Day, April 19: ‘Twas brillig

Hi Friends,

It’s that time of year again! As many of you know, I am of the opinion that the poem “Jabberwocky” ought to be read, aloud, at least once a year — you can think of this practice as akin to the Queen’s practice of believing as many as six impossible things before breakfast each morning. And, look! It’s even trendy this year — Johnny Depp is doing it. I was quite delighted to find that Tim Burton had done what I would do if I were to make a movie about Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking Glass, and What Alice Found There (1872) — which is to make the entire movie about the poem “Jabberwocky.”

So, kids, it’s time to channel your inner Mad Hatter: I challenge you to read “Jabberwocky” aloud to someone else today. If you shy away from this challenge because you don’t know what half of the words mean, I refer you to Humpty Dumpty: “When I use a word, it means just what I choose it to mean — neither more nor less.” With every poem, a reader in a sense chooses what you mean each of the poet’s words to mean. Reading “Jabberwocky,” especially out loud, simply requires you to make your choices of meaning more conscious acts. You could think of reading aloud as in a sense a minor form of translation — you are translating the written “Jabberwocky” into oral English. (Keith Lim has also compiled a lovely collection of translations of “Jabberwocky” — into languages ranging from Spanish and Japanese to C++ and Klingon.)

And, finally, a bonus poetrivia challenge for you — and there’s a prize! The scene where the Mad Hatter recites “Jabberwocky” in Tim Burton’s Alice in Wonderland is cut such that he skips which line(s) of the first two quatrains? First correct answer I receive, judged by email time stamp, will be awarded poetry in a can!, courtesy of Frankenmart.

Best,
Ellen


Jabberwocky

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought —
So rested he by the Tumtum tree,
And stood awhile in thought.

And, as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One two! One two! And through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

‘Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.


“Jabberwocky” by Lewis Carroll was also featured for Poem-a-Day April 8, 2007.

Poem-a-Yesterday, April 18: a slip between letters

Hi Friends,
My apologies to those of you who spent all day yesterday eagerly awaiting an arrival in your inbox. Here is a “Letter” from Natasha Trethewey to me to you.
Best,
Ellen


LETTER

At the post office, I dash a note to a friend,
tell her I’ve just moved in, gotten settled, that

I’m now rushing off on an errand — except
that I write errant, a slip between letters,

each with an upright backbone anchoring it
to the page. One has with it the fullness

of possibility, a shape almost like the O
my friend’s mouth will make when she sees

my letter in her box; the other, a mark that crosses
like the flatline of your death, the symbol

over the church house door, the ashes on your forehead
some Wednesday I barely remember.

What was I saying? I had to cross the word out,
start again, explain what I know best

because of the way you left me: how suddenly
a simple errand, a letter — everything — can go wrong.


Poet Natasha Trethewey was also featured for Poem-a-Day April 16, 2009.

Poem-a-Day, April 17: Type B

Hi Friends,

I’ve had four nosebleeds in the past 24 hours, so I guess I have blood on the brain. Two of my favorite poems about blood are both by Sherman Alexie“13/16,” which I’ve sent you before if you’ve been on this list awhile; and today’s poem-a-day, “Giving Blood.” Do you have a favorite blood poem?

April is National Poetry Month, and I am celebrating by emailing out my own selection of one poem per day for the duration of the month. To learn more about National Poetry Month, visit www.poets.org, the website of the Academy of American Poets, where you can also subscribe to a more official-like poem-a-day list.

Best,
Ellen


Giving Blood

I need money for the taxi cab ride home to the reservation and
I need a taxi
because all the Indians left this city last night while I was sleeping
and forgot to tell me
so I walk on down to the blood bank with a coupon that guarantees
me twenty bucks a pint
and I figure I can stand to lose three or four pints but the
white nurse says no
you can only give up one pint at a time and before you can do that
you have to clear
our extensive screening process which involves a physical examination
and interview
which is a pain in the ass but I need the money so I sit down
at a wooden desk
across from the white nurse holding a pen and paper and she asks me
my name and I tell her
Crazy Horse and she asks my birthdate and I tell her it was probably
June 25 in 1876 and then she asks my ethnic origin and I tell her I’m an
Indian or Native American
depending on your view of historical accuracy and she asks me
my religious preference and I tell her I prefer to keep my
     religion entirely independent
of my economic activities
and then she asks me how many sexual partners I’ve had and
I say one or two
depending on your definition of what I did to Custer and then
she puts aside her pen and paper
and gives me the most important question she asks me
if I still have enough heart
and I tell her I don’t know it’s been a long time but I’d like to
give it a try
and then she smiles and turns to her computer punches in my name
and vital information
and we wait together for the results until the computer prints
a sheet of statistics
and the white nurse reads it over a few times and tells me I’m
sorry Mr. Crazy Horse
but we’ve already taken too much of your blood
     and you won’t be eligible
to donate for another generation or two.


“Giving Blood” by Sherman Alexie was also featured for Poem-a-Day April 24, 2008.
“13/16” by Sherman Alexie was featured for Poem-a-Day April 27, 2009.

Poem-a-Day, April 16: made of ash

Ash

The church in the forest
was built of wood

the faithful carved their names by the doors
same names as ours

soldiers burned it down

the next church where the first had stood
was built of wood

with charcoal floors
names were written in black by the doors
same names as ours

soldiers burned it down

we have a church where the others stood
it’s made of ash
no roof no doors

nothing on earth
says it’s ours


Hello Friends,

Today’s poem comes from the works of W.S. Merwin, who has been eschewing punctuation quite successfully in his poetry for over 50 years — except to dot his own initials.

“Ash” first appeared in his 1973 collection Writings to an Unfinished Accompaniment, and is also included in his Selected Poems (1988). You can listen to Merwin read “Ash” to you himself during a great KQED radio interview from a few years ago. And you remember that website I told you about, the Academy of American Poets? They have some pretty neat videos of poets talking about poetry, including W.S. Merwin here.

In 1971, Merwin famously dedicated his Pulitzer Prize money to opposing the Vietnam War. He moved to Hawai’i in 1976 to study Zen Buddhism and currently lives on Maui, on a former pinapple plantation that he has labored to restore to its original rainforest state. He continues to write poetry, plays, memoirs, short and long prose, and translations and won the Pultizer Prize in Poetry again just last year.

Best,
Ellen


“Ash” by W.S. Merwin was also featured for Poem-a-Day April 7, 2007.
Poems by W.S. Merwin were also featured for Poem-a-Day April 17, 2008 and Poem-a-Day April 9, 2009.