Hello Friends,
Today’s poem by Natalie Diaz appears in her 2020 collection Postcolonial Love Poem, which won the Pulitzer Prize. Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. Diaz teaches at the Arizona State University Creative Writing MFA program.
Enjoy.
Ællen
Today’s poem by Natalie Diaz appears in her 2020 collection Postcolonial Love Poem, which won the Pulitzer Prize. Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. Diaz teaches at the Arizona State University Creative Writing MFA program.
Enjoy.
Ællen
They Don’t Love You Like I Love You
My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,
and what my mother meant by,
Don’t stray, was that she knew
all about it—the way it feels to need
someone to love you, someone
not your kind, someone white,
some one some many who live
because so many of mine
have not, and further, live on top of
those of ours who don’t.
I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot
of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is “Maps”—
Maps are ghosts: white and
layered with people and places I see through.
My mother has always known best,
knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more
than the loud light of their projectors,
as they flicker themselves—sepia
or blue—all over my body.
All this time,
I thought my mother said, Wait,
as in, Give them a little more time
to know your worth,
when really, she said, Weight,
meaning heft, preparing me
for the yoke of myself,
the beast of my country’s burdens,
which is less worse than
my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,
she meant,
Natalie, that doesn’t mean
you aren’t good.
■
My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,
and what my mother meant by,
Don’t stray, was that she knew
all about it—the way it feels to need
someone to love you, someone
not your kind, someone white,
some one some many who live
because so many of mine
have not, and further, live on top of
those of ours who don’t.
I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot
of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is “Maps”—
Maps are ghosts: white and
layered with people and places I see through.
My mother has always known best,
knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more
than the loud light of their projectors,
as they flicker themselves—sepia
or blue—all over my body.
All this time,
I thought my mother said, Wait,
as in, Give them a little more time
to know your worth,
when really, she said, Weight,
meaning heft, preparing me
for the yoke of myself,
the beast of my country’s burdens,
which is less worse than
my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,
she meant,
Natalie, that doesn’t mean
you aren’t good.
■